Eleanore Dykes
Kate Hoyt
Communication through
Literature
10/2/13
Cut-up assignment peer
analysis
Abby Armstrong
“Missing Home”
Cut n’ Mix Performance
I miss you all it’s you I feel.
You’re my home. I know.
I miss when I’m with you Mom.
You’re my friends and my best friend.
I feel and miss you home.
I feel you Dad.
You are listener.
You’re my home.
You’re my fixer and my jokester.
I miss your faces Jack.
You’re my own.
You’re my feel.
I feel number one at home.
I miss chilling with you outside Bentley.
You were my people listener.
I ain’t miss nothing like you above.
Know I miss you.
You’re my reality.
I feel you too Ellie.
You are my sister friend for sure.
You’re home. Missing you Poppop.
You’re home.
The Pentad:
1.
Agent: Who?
The “who” in this piece is Abby, speaking
in the first person about missing home, as the title says. In this piece, the
audience feels a sense of connection to and sympathy with the speaker, because
everyone has felt homesick at some point and can relate to those feelings of
loneliness. The speaker is also relatable because Abby is using her own voice,
speaking as herself, so she’s speaking as a girl, as a young person, and a
student at DU.
2.
Purpose: Why?
This piece was written from the heart, from
an emotional, personal place, and was probably inspired by Abby feeling
homesick. Uses repetition of “miss” and “feel,” as well as “you are” to let us
know the significance these people have to Abby.
3.
Scene: Where? When? To Whom?
The audience Abby is writing to is the
friends and family she misses back home. However, this piece is also written
from a first person standpoint, letting whoever else reads it have direct
insight into her thoughts and feelings. The physical/temporal setting is the
here and now, speaking from how she feels now (homesick) about being here (at
DU, in Denver) about being away from there (home).
4.
Act: What?
Action is missing people, reflecting on/
thinking about those feelings.
Text-“ I miss you all it’s you I feel,”
repetition of “miss” and “feel”- “I feel and miss you home.”
Subtext- none here. Here, the speaker is
being herself, being honest, personal. Raw, plain, simple.
5.
Agency: How?
Conveys feelings, emotion through comfort
words- “you’re my home,” “you’re my fixer and my jokester,” “you’re my own,” “you’re
my feel,” “sister friend.” Also uses repetition of “my,” which shows ownership
of the speaker, as in these are the people who are significant/special to her.
Informal, personal style.
Structure- monologue, speaking in first
person, like a diary entry.
Persona- the persona depicted in this piece
is of the same cultural perspective as the producer as the text. Using “I,”
first person, so speaking as herself.
The literary devices the author/speaker
(here, the same person) uses in the text are metaphor and simile; compares her
friends and family to a place- “You’re my home,” as well as personas- “You are
listener,” “You’re my own,” “You’re my feel,” “You’re home.”
The mode of aesthetic communication used in
this piece is Lyric. The lyric mode of aesthetic communication is a personal
utterance, an expression of an individual speaker’s private realization or
discovery. The lyric mode often seems to insist on the presence of an “I;”
here, the narrator is speaking in first person. Even when the speaker is
speaking about others (friends, family), the speaker’s individual consciousness
is keenly felt (first person P.O.V. allows us direct access to the speaker’s
thoughts and feelings). The lyric utterance frequently carries a sense of
intimacy or urgency.
My own interpretation:
I chose to interpret this by reading it in my own voice,
that is, speaking/narrating it from the perspective I have as an outside
audience.
She misses you all it’s you she feels.
You’re her home. She knows.
She misses when she’s with you Mom.
You’re her friends and her best friend.
She feels and misses you home.
She feels you Dad.
You are her listener.
You’re her home.
You’re her fixer and her jokester.
She misses your faces Jack.
You’re her own.
You’re her feel.
She feels number one at home.
She misses chilling with you outside Bentley.
You were her people listener.
She ain’t miss nothing like you above.
Know she misses you.
You’re her reality.
She feels you too Ellie.
You are her sister friend for sure.
You’re her home. She misses you Poppop.
You’re her home.
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