The speaker I drew from this was a man remembering the former
glory of his nation. He is an aged Chinese man who exists now in decayed ruins
of the once great civilization. He is speaking to the other survivors and
remnants of the now ruined empire. He describes the empire at its’ prime and
compares it to the decay that it is now. He uses strong adjectives and
descriptors to compare the before and after to convey the dramatic change that
has happened.
The greatness that once existed is now mocked by the eerie world
that they now live in. He describes how there was once joy with laughter but
that is now long gone. He describes the greatness of their former capital with
bridges, ornate paintings, days of celebrating the ancients, queens and other
long lasting traditions. Those once great halls the held royalty are now tombs
for the vanquished nation. The world is cold and hungry now, overtaken by
animals and other beasts. A mighty tsunami sunk the capitol ZeDuan which was
once 500 buildings strong. It has been washed away of all color and life. It
now lies pale at the bottom of a dark sea.
He speaks to his people to give them hope with memories to
keep their spirits intact. He loves his former home, glorifying the world that
once was, and is saddened now by the state of the way things are. He feels it
is his duty to keep the memory of their nation alive to preserve what once was
and to keep his people’s minds from focusing on how things are now. He is extremely
sympathetic because their whole way of life was destroyed by a natural disaster
for which they could do nothing. People that once lived in an idyllic way of
life are now struggling just to survive.
The setting takes place in the early eleventh century after
the collapse of a once prominent civilization. It is being told on the
outskirts of where the capitol city used to be from the perspective of the
society’s leader towards his people.
The persona depicted in the text is from the same cultural
perspective ethnically but the time difference between the two is almost a
thousand years different so the culture has changed in many ways but both are
related.
The mode of aesthetic communication would most likely have
been a lyric. The speaker is describing the chain of events out of order but as
to how he feels about them now. It’s not an epic because it doesn’t focus on a
specific character rather it is entirely about their home. For similar reasons
it is not a drama again because no particular person is the focus of the story.
It entirely about their relationship they used to share with the former
civilization and the feelings they share now about their new situation.
Enchanted alone on bitterness is a ghostly all
whole that
Capital am painting song 528cm with is about
painting
ZeDuan. Sea.
I 25cm cark,
No of painting time an created dynasty. Pretend
Laughter welcome flow
Of talk named city an talk lure
Sad with from dynasty called cool proof longtime
is upon
Created want that the more tombs.
I lyric created us at us was talk queens the moon
to
With cark,
No view 528cm the ago all is song want was long-
Remembered the bridges, longtime painting old
shadowy
On 25cm the an the include a pretend
Laughter
And the no capital wideth. To that 25cm animals. Proof
Alled world am that weave only the world have
hungry
With in is longer a sing a created before.
The all walk song by that sweet about hide the
longer it
Tombs.
I it created in loveliness
Of with the that and might am painting artist am
road the
Longer called a 500 because about than sinking
ZeDuan.
Because that named more want talk dark
As that painting across at
And sister capital the tombs.
I heart;
I in a the pale in created Zhang ancient 500
buildings,
And dark
As capital
Very creative analysis Will. Can you list any figurative language/literary devices in the piece? Such as "laughter welcome flow" - a personification, etc.
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