Wednesday, October 2, 2013

Interpretation of Partner's Cut N' Mix

The speaker I drew from this was a man remembering the former glory of his nation. He is an aged Chinese man who exists now in decayed ruins of the once great civilization. He is speaking to the other survivors and remnants of the now ruined empire. He describes the empire at its’ prime and compares it to the decay that it is now. He uses strong adjectives and descriptors to compare the before and after to convey the dramatic change that has happened.
The greatness that once existed is now mocked by the eerie world that they now live in. He describes how there was once joy with laughter but that is now long gone. He describes the greatness of their former capital with bridges, ornate paintings, days of celebrating the ancients, queens and other long lasting traditions. Those once great halls the held royalty are now tombs for the vanquished nation. The world is cold and hungry now, overtaken by animals and other beasts. A mighty tsunami sunk the capitol ZeDuan which was once 500 buildings strong. It has been washed away of all color and life. It now lies pale at the bottom of a dark sea.
He speaks to his people to give them hope with memories to keep their spirits intact. He loves his former home, glorifying the world that once was, and is saddened now by the state of the way things are. He feels it is his duty to keep the memory of their nation alive to preserve what once was and to keep his people’s minds from focusing on how things are now. He is extremely sympathetic because their whole way of life was destroyed by a natural disaster for which they could do nothing. People that once lived in an idyllic way of life are now struggling just to survive.
The setting takes place in the early eleventh century after the collapse of a once prominent civilization. It is being told on the outskirts of where the capitol city used to be from the perspective of the society’s leader towards his people.
The persona depicted in the text is from the same cultural perspective ethnically but the time difference between the two is almost a thousand years different so the culture has changed in many ways but both are related.
The mode of aesthetic communication would most likely have been a lyric. The speaker is describing the chain of events out of order but as to how he feels about them now. It’s not an epic because it doesn’t focus on a specific character rather it is entirely about their home. For similar reasons it is not a drama again because no particular person is the focus of the story. It entirely about their relationship they used to share with the former civilization and the feelings they share now about their new situation.

Enchanted alone on bitterness is a ghostly all whole that
Capital am painting song 528cm with is about painting
ZeDuan. Sea.

I 25cm cark,
No of painting time an created dynasty. Pretend
Laughter welcome flow
Of talk named city an talk lure
Sad with from dynasty called cool proof longtime is upon
Created want that the more tombs.

I lyric created us at us was talk queens the moon to
With cark,
No view 528cm the ago all is song want was long-
Remembered the bridges, longtime painting old shadowy
On 25cm the an the include a pretend
Laughter
And the no capital wideth. To that 25cm animals. Proof
Alled world am that weave only the world have hungry
With in is longer a sing a created before.

The all walk song by that sweet about hide the longer it
Tombs.

I it created in loveliness
Of with the that and might am painting artist am road the
Longer called a 500 because about than sinking ZeDuan.
Because that named more want talk dark
As that painting across at
And sister capital the tombs.

I heart;
I in a the pale in created Zhang ancient 500 buildings,
And dark
As capital

1 comment:

  1. Very creative analysis Will. Can you list any figurative language/literary devices in the piece? Such as "laughter welcome flow" - a personification, etc.

    ReplyDelete